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This book analyses leisure choice as a complex concept, made more complicated in later life than at any other time. The author posits that there are many unanswered questions about the new booming generation of healthy, older people, and this book asks what it is really like to be old at the beginning of the 21st century in the United Kingdom, analysing leisure in older people in the context of the subtle politics of the day to day. Throughout the chapters, the author highlights the often missing depictions of older people who enjoy and enact bold, informed agency as part of their everyday lives. Drawing upon secondary data from the Mass Observation Archive, a social thesis of leisure and ageing emerges that challenges the individualism inherent in active ageing. It is proposed that the idea of active ageing creates complex constraints to leisure as people strive to measure up to cultural expectations. The stories in this book advocate for an appreciation and re-evaluation of passive leisure in later life, and the enjoyment and freedom it can bring. The project is therefore useful to students and researchers of leisure studies, gerontology and sociology of ageing. Tania Wiseman is Principal Lecturer in Occupational Therapy at the University of Brighton. Her research interest is in passive leisure in later life, and all the joy it brings.
Sociology of the family. Sociology of sexuality --- Sociology --- Social medicine --- sociologie --- gezin --- Older people --- Leisure --- Sociology. --- Recreation. --- Social life and customs --- Social aspects
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This book explores the representation of London's nightlife in popular films and newspapers of the interwar period. Through a series of case-studies, it analyses how British popular media in the 1920s and 1930s displayed the capital after dark. It argues that newspapers and films were part of a common culture, which capitalized on the transgressive possibilities of the night. At the same time both media ensured that those in authority, such as the police, were always shown to ultimately be in control of the night. The first chapter of the book provides an overview of the British film and newspaper industries in the interwar period. Subsequent chapters each explore a specific aspect of London's nightlife. In turn, these chapters consider how films and newspapers of the interwar period depicted women navigating the street at night; the Metropolitan Police's involvement in nightlife; and the capital's newly built and expanded suburbs and public transport network. Finally, the book considers how newspapers and films depicted themselves and one another. Mara Arts has completed a doctorate at Birkbeck, University of London. Her research focuses on mass culture in interwar Britain. In particular, she investigates the intersections between fiction film, tabloid journalism and popular culture. Her research has previously been included in London on Film, eds. Pam Hirsch and Chris O'Rourke (Palgrave, 2017). Mara regularly presents her research at a range of national and international conferences. In addition to her research activities, Mara also has several years' experience as a university lecturer, teaching film and media studies at undergraduate and postgraduate level. She currently works at Coventry University where she supports academic teams with curriculum development. Mara is passionate about increasing the visibility of British interwar history and maintains a weekly blog at www.interwarlondon.com.
Sociology of culture --- Film --- Regional documentation --- History --- populaire cultuur --- TV (televisie) --- film --- geschiedenis --- steden --- Great Britain --- Popular culture --- London (England) --- Social life and customs
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This book argues that the way to ensure that American Jewish life flourishes is to create vibrant local communities and that the ability to thrive will be won or lost in the trenches of each locality. For every generalization about the Jews of America, one can say, "maybe, but it depends where." In the United States, Jewish life is up close and personal where local variations on national themes make a huge difference. The author presents case studies using in-depth analysis of data from nine Jewish community studies to illuminate eleven critical American Jewish policy issues. The analysis is used to formulate a range of policy options for different types of communities. This book is for anyone who cares about the future of American Jewry. It should be of particular interest to the lay leaders and professionals who play a role in Jewish nonprofits. It is also of great interest to researchers and students of Jewish studies and Jewish communal service.
Religious studies --- Jewish religion --- Sociology of religion --- Sociology --- Social policy --- religie --- sociologie --- godsdienst --- Jodendom --- welzijnsbeleid --- sociaal beleid --- Jews --- Communities --- Social life and customs. --- Social conditions. --- Religious aspects --- Judaism.
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Malaysia is a prosperous, developing nation in Southeast Asia. Its citizens face the problems that beset people's lives all over the world. These problems are about the family and economic security, as well as the existential choices we customarily associate with the residents of developed societies. Through the anthropologist's art of ethnography and cultural analysis, the book shows the way ordinary Malaysians manage the contingencies, the chanciness in their daily existence. In a mildly postcolonial gesture, Doing Lifework in Malaysia transports the work of Heidegger, Arendt, Camus, Sartre-masters of European existentialism-to a recognizably 'Third World' situation. The result is a series of penetrating and illuminating essays that cover a broad range of social actors, among them a Tamil domestic servant, the film maker Jasmin Ahmed, a Malay corporate wheeler-and-dealer turned ecologist, a group of Chinese traders in the Sarawak interior and a female ex-communist insurgent. As such, this fascinating study examines the Malaysian social life afresh, and in the process brings into focus issues not normally covered in other accounts: Hindu worship as a defiance against tradition, gift exchange and globalization, race envy and psychoanalysis, petite capitalism and solitude.
Migration. Refugees --- International relations. Foreign policy --- Ethnology. Cultural anthropology --- internationale politiek --- etnologie --- migratie (mensen) --- Asia --- Manners and customs. --- Malaysia --- Social conditions. --- Social life and customs.
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Through a nuanced interdisciplinary engagement with cultural geography and theatre and performance studies, and a detailed comparative transnational analysis that goes beyond conventional Euro-American focuses, Festival Cities of Edinburgh and Adelaide shows why we urgently need to pay attention to festivals' profound cultural and political impacts on contemporary urban life. ---Jen Harvie, Queen Mary University of London In this thoroughly researched interdisciplinary study Sarah Thomasson explores the mutually constitutive relationship between the Edinburgh and Adelaide Festivals and the cities that host them. Located at the intersection of Cultural Geography and Theatre and Performance Studies, The Festival Cities of Edinburgh and Adelaide provides a detailed materialist analysis of the place-making function of festival cultures that extends beyond the city to the nations they come to represent. ---Ric Knowles, author of International Theatre Festivals and 21st-Century Interculturalism The Festival Cities of Edinburgh and Adelaide examines how these cities' world-famous arts events have shaped and been shaped by their long-term interaction with their urban environments. While the Edinburgh International Festival and Adelaide Festival are long-established, prestigious events that champion artistic excellence, they are also accompanied by the two largest open-access fringe festivals in the world. It is this simultaneous staging of multiple events within Edinburgh's Summer Festivals and Adelaide's Mad March that generates the visibility and festive atmosphere popularly associated with both places. Drawing on perspectives from theatre studies and cultural geography, this book interrogates how the Festival City, as a place myth, has developed in the very different local contexts of Edinburgh and Adelaide, and how it is challenged by groups competing for the right to use and define public space. Each chapter examines a recent performative event in which festival debates and controversies spilled out beyond the festival space to activate the public sphere by intersecting with broader concerns and audiences. This book forges an interdisciplinary, comparative framework for festival studies to interrogate how festivals are embedded in the social and political fabric of cities and to assess the cultural impact of the festivalisation phenomenon. Sarah Thomasson is Lecturer in Theatre at Te Herenga Waka - Victoria University of Wellington in Wellington, Aotearoa New Zealand. Her research interests include international arts festivals, space and place in performance, contemporary feminist performance, and digital research methods for theatre.
Sociology of cultural policy --- Environmental planning --- Theatrical science --- Social geography --- cultureel erfgoed --- performances (kunst) --- ruimtelijke ordening --- theater --- geografie --- Art festivals --- Adelaide (S.A.) --- Edinburgh (Scotland) --- Politics and government. --- Social life and customs.
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"Youth movements have long influenced policy responses to social, political, and environmental change. Mark Terry provides a framework for understanding today’s crusades, especially their use of new media. Equally important, he offers an important practical guide for enlisting the perspective and energy of youth to address critical issues, notably the climate crisis. In a world facing momentous challenges, Speaking Youth to Power could not be more timely, valuable, or necessary." —David J. Bodenhamer, Professor of History and Informatics, Indiana University, Indianapolis. This book examines the methods and approaches currently being taken by the global community of youth in influencing environmental policymakers of the United Nations. It is divided into two sections: The Groundswell Approach, exploring the use of social media and mass gatherings aimed at raising public awareness of the issue of climate change; and The Direct Approach, a participatory methodology that encourages collaboration directly with the policymaker and youth in the discussions and creation of progressive climate policy for the world. The book also delivers a detailed analysis of the United Nations’ only database of youth-produced documentary films related to climate change research, impacts, and proposed solutions: the Youth Climate Report, arguing that film is a powerful and effective communications tool for the policymaker. The book proposes two frameworks and explores their in-field applications for successful youth climate activism. Mark Terry is a scholar, explorer, and filmmaker. He is a Fellow of the Royal Society of Canada, the Royal Canadian Geographical Society, and The Explorers Club. He teaches at the Faculty of Environmental and Urban Change, York University, Toronto, and the Faculty of Arts, Wilfrid Laurier University, Waterloo, Canada.
Political philosophy. Social philosophy --- Age group sociology --- Nature protection --- Environmental protection. Environmental technology --- sociologie --- jongerencultuur --- milieubeleid --- natuurbescherming --- Communication in the environmental sciences. --- Youth—Social life and customs. --- Environmental policy. --- Environmental Communication. --- Youth Culture. --- Environmental Policy.
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This book explores the depiction of suicide in American youth films from 1900 to 2019. Anchored in Sociology, this multidisciplinary study investigates the causes and consequences of suicide and uncovers the socio-cultural context for the development of youth, film, and suicide. While such cinematic portrayals seem to privilege external explanations of suicide versus internal or psychological ones, overall they are neither rich nor sensitive. Most are simplistic, limited or at the very least unbalanced. At times, they are flatly controversial. In light of this overall problematic depiction of suicide, this book offers a proactive approach to empower young audiences—a media literacy strategy to embrace while watching these films. Alessandra Seggi is a Fulbright scholar and an award-winning artist. At Temple University, USA, her research and teaching focus on the intersection of the social sciences and media. She is currently working on an innovative project combining drawings with rhymes and traditional texts to illustrate the key dynamics of social life.
Sociology of culture --- Age group sociology --- Film --- populaire cultuur --- sociologie --- TV (televisie) --- film --- jongerencultuur --- America --- Motion pictures, American. --- Youth --- Popular Culture. --- American Film and TV. --- Youth Culture. --- Social life and customs.
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This book is about generating types of societies by the degree of individuals' satisfaction with life domains, aspects, and styles via factor analysis. It adopts an evidence-based approach in typologizing and a bottom-up rather than a top-down perspective. Thus, the book's position is against Hegel (freedom for one person), Marx (the Asiatic mode of production), Weber (Protestant ethics and the spirit of capitalism), Wittfogel (Asiatic autocracy), and Rostow (Western-led modernization). These classical and modern authors tend to see Asian societies with somewhat fixated eyes and categorize Asian societies in a top-down manner. When random-sampled respondents are questioned about their satisfaction with daily life in terms of life domains, aspects, and styles, public policy and institutions as well as survival and social relations are inevitably touched upon-the latter two being the key dimensions common to the World Values Survey and other cultural surveys. This book proposes a new mode of typologizing societies, Asian or non-Asian, not immediately familiar to human geographers, cultural anthropologists, or sociologists, but revealing many complex unknowns with the easy-to-learn typologizing method.
Philosophy and psychology of culture --- Qualitative methods in social research --- Sociology --- Ethnology. Cultural anthropology --- Human medicine --- History of civilization --- niet-westerse cultuur --- etnologie --- sociologie --- cultuur --- levenskwaliteit --- Asia --- National characteristics, Asian. --- Social life and customs.
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Rap Music and the Youth in Malawi is one of the first book-length studies of Malawian hip hop. It studies the language and content of contemporary Malawian hip hop as a window onto the country's youth culture as Malawian young people negotiate what scholar Alcinda Honwana calls 'waithood,' or the condition, common among Malawian youth, of lacking opportunities to advance from a situation of dependence and being stuck in a state of relative childhood. The book argues that rap music made by Malawian youth music speaks of - and represents, through its very agency - their need to break out of this stagnant state. After situating Malawian hip hop with respect to both other musical genres in the country and to the nation's language in culture, Rap Music and the Youth in Malawi shows how Malawian youth use rap music to create a sense of community, which then becomes a foothold from which they can do activities that get them out of waithood and into the adult world, such as getting involved in the music industry, realizing electoral power, or participating in activism about issues such as violence against people with albinism and the COVID-19 pandemic. Hip hop has been a crucial tool for Malawian youth to build the skills, identity, and agency necessary to exercise their economic, cultural, and civic independence.
Philosophy and psychology of culture --- Age group sociology --- Ethnology. Cultural anthropology --- History of civilization --- Afrikaans --- Afrikaanse cultuur --- etnologie --- sociologie --- cultuur --- jongerencultuur --- North Africa --- Africa --- Music and youth. --- Rap (Music) --- Youth --- Social aspects. --- Social life and customs.
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This book traces changing attitudes towards secrecy in eighteenth-century France, and explores the cultural origins of ideas surrounding government transparency. The idea of keeping secrets, both on the part of individuals and on the part of governments, came to be viewed with more suspicion as the century progressed. By the eve of the French Revolution, writers voicing concerns about corruption saw secrecy as part and parcel of despotism, and this shift went hand in hand with the rise of the idea of transparency. The author argues that the emphasis placed on government transparency, especially the mania for transparency that dominated the French Revolution, resulted from the surprising connections and confluence of changing attitudes towards honour, religious movements, rising nationalism, literature, and police practices. Exploring religious ideas that associated secrecy with darkness and wickedness, and proto-nationalist discourse that equated foreignness with secrecy, this book demonstrates how cultural shifts in eighteenth-century France influenced its politics. Covering the period of intense fear during the French Revolution and the paranoia of the Reign of Terror, the book highlights the complex interplay of culture and politics and provides insights into our attitudes towards secrecy today. Nicole Bauer is Assistant Professor of European History at the University of Tulsa in the USA. A cultural historian of early modern France, she is particularly interested in pulling threads from different directions to understand and uncover the cultural origins of political and social movements.
Religious studies --- Sociology of culture --- Politics --- World history --- History of civilization --- History --- History of France --- religie --- Gothic --- cultuurgeschiedenis --- geschiedenis --- politiek --- sociale geschiedenis --- wereldpolitiek --- Europese geschiedenis --- France --- Secrecy. --- Politics and government --- Social life and customs
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